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Archive for the ‘Entertainment/Music/Sports’ Category

1. Art Garfunkel (Simon & Garfunkel):  Undoubtedly Art Garfunkel possessed one of the most distinctive voices in popular music; but despite his moderate success as a solo artist, it was really his collaboration with Paul Simon that allowed his gifts to be fully realized. Simon’s amazing songwriting and his deft vocal interplay were the perfect vehicle for Garfunkel to shine. While Simon’s career continued to soar as a solo artist, Garfunkel never again scaled the heights he visited in this partnership.

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2. David Crosby (The Bryds, Crosby Stills Nash & Young):  Like Art Garfunkel, David Crosby possessed a truly unique and beautiful voice. Though he was also an able songwriter and musician, it was his collaborations with people like Roger McGuinn (The Byrds), Gene Clark (The Bryds), Graham Nash (The Hollies), Stephen Stills (Buffalo Springfield) and Neil Young that created a lasting impact.

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3. Eddie Van Halen (Van Halen):  Eddie Van Halen is not only a tremendous guitar player, but a multifaceted musician and the creative force behind the band “Van Halen”. Yet despite his ample talent, it is unlikely that he would have ever achieved the same level of success without finding someone to be the face and voice of his band. Needless to say, he found two of rock’s most memorable showmen in David Lee Roth and Sammy Hagar.

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4. Freddie Mercury (Queen):  Almost the polar opposite of Eddie Van Halen, Freddie Mercury was a quintessential showman, in need of collaborators to create the proper setting to showcase his talent. He found that in Brian May and the other members of the band Queen. This highly underrated group of musicians provided an accessible context and added valuable substance to Mercury’s eccentric persona.

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5. Ric Ocasek (The Cars):  Undoubtedly the quirky pop genius of Ric Ocasek was the driving creative force behind the music of “The Cars”. And while it seems unlikely that they would have had been noticed without him, the band’s best work occurred when Elliot Easton’s edgy guitar and Benjamin Orr’s emotive vocals were allowed to balance out his off beat lyrics and synth-pop sensibilities.

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6. Dennis DeYoung (Styx):  Like Ric Ocasek of the Cars, Dennis DeYoung of the band “Styx” was the pop visionary behind their most successful music. His creative flourishes fueled the concept albums and stage productions that distinguished the band from its peers. But at its core, Styx worked best as a rock band and in those moments, Tommy Shaw and James Young were essential in balancing DeYoung’s more theatrical sensibilities. Neither DeYoung nor the remaining members of Styx (who perform without him), have been as compelling since they parted company.

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7. Elton John:  Without question, Elton John is a tremendously gifted musician, singer and performer in his own right; but it is through his 40+ year songwriting collaboration with Bernie Taupin that his most memorable work has been produced. It is difficult to know what his career would have been without Mr. Taupin’s contributions.

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8. Roger Waters (Pink Floyd):  Certainly Roger Water’s dark cynicism and disdain for standard musical conventions were at the heart of Pink Floyd’s most memorable recordings, but without the balancing contributions of his band mates (most especially David Gilmour), his solo work has been erratic and far less compelling. Considering his sizable contributions to the band’s collective identity, the remaining members have made some surprisingly worthwhile music without him.

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9. Eric Clapton:  Though Eric Clapton has enjoyed a long and successful career as a solo artist, his most notable moments have almost always come through his collaboration with other artists. His contributions to bands like “The Yardbirds”, “John Mayall & the Bluesbreakers”, “Cream”, “Blind Faith” and “Derek & the Domino’s” were legendary and even much of his most memorable solo work showcased other songwriters like J.J. Cale (After Midnight), Robert Johnson (Crossroads) and Bob Marley (I Shot the Sheriff).

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10. Lennon & McCartney (The Beatles):  While inferring that either one of these musical legends wasn’t talented enough to stand alone would amount to sacrilege in the minds of most people, I would submit that both benefited greatly from their collaboration. Though they each created some classic music on their own, neither consistently produced anything that rivaled their work together.

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A Few Good Men:  Both an outstanding screenplay and a superb cast make this film an instant classic.  Jack Nicholson, Kiefer Sutherland, and Kevin Bacon are excellent as always, while Tom Cruise, Demi Moore, and Kevin Pollak also deliver exceptionally strong performances.  The script is full of incredible dialogue, tense exchanges, and memorable one-liners.

A Walk to Remember:  A love story where someone is able to reach beyond their own selfish desires and genuinely care about someone else is a rare and beautiful gift.  Though this clearly falls in the “Chick Flick” section, it absolutely works for me.

Remember the Titans:  It’s hard to resist a good underdog story, or anything that Denzel Washington does.  Add a great assembly of young actors, and some wonderful old songs from that era and you’ve got a recipe for success.  The fact that it’s based on a true story makes it even better.

Field of Dreams:  This dreamlike tale of a seemingly magical corn field, and ghost players from the past is full of twists and turns, which eventually lead to a homerun finish.

The Ultimate Gift:  A great story that drives home what really matters in life.  This young man’s transformation is both believable and moving.

August Rush:  This unconventional tale of an orphan who finds his way back to a family that didn’t realize they’d lost him, is hauntingly beautiful.  It is filled with wonderfully subtle performances from Freddie Highmore, Jonathan Rhys Meyers, and Keri Russell, juxtaposed against an almost menacing performance by Robin Williams.  The transcendent story is also accompanied by a soundtrack full of memorable music.

October Sky:  The inspiring story of Homer Hickam, and the “Rocket Boys” emergence from a small mining town in West Virginia is what making movies is all about.

Forever My Girl:  This story of a country music star, whose unplanned return to his hometown brings him face to face with the girl he left at the altar, and the daughter he didn’t know he had, is markedly better than your typical Hallmark movie.  Definitely a cut above what passes for romance these days.

Touchback:  Though the story revolves around football, this is not really a sports movie in the truest sense.  Ultimately, it is about the choices we make, the consequences that come with that, and what truly matters in the end.

The Shawshank Redemption:  Based on the Stephen King novella, “Rita Hayworth and the Shawshank Redemption”, this movie features a great story, beautifully told.  Tim Robbins nuanced performance, and Morgan Freeman’s narration throughout lift the relentlessly dark subject matter to something more profound and hopeful.  The conclusion of this journey is one of the most satisfying in movie history.

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As a huge fan of music, there are many songs that I’ve loved, but here are ten that have really stood the test of time with me.

  1. “Toulouse Street” – The Doobie Brothers:  This song was on the flipside of the 45 rpm record of “Listen to the Music”, which was in a batch of used records someone gave my parents for us kids.  Those were the first records we ever owned.  The song itself is beautiful and haunting; and it still moves me whenever I hear it.  The Doobie Brothers never sounded any better than this.
  2. “Homeward Bound” – Simon & Garfunkel:  These guys were incredible together and this song is a great example of everything I loved about them.  Their voices work so well together, the acoustic guitar is rich and the lyrics resonate deeply.  When I decided to embrace Christianity (in my thirties), this song took on a whole new meaning, “as all my words come back to me, in shades of mediocrity, like emptiness in harmony, I need someone to comfort me”.  Amen!
  3. “Almost Like Being in Love” – Michael Johnson:  This is a pretty much forgotten single by the guy who did the song “Bluer than Blue”; but for some reason the bluesy arrangement of this originally bouncy song (from the play “Brigadoon”) really works for me.  The understated vocals and the little saxophone flourishes paint a vivid picture that’s always stuck with me.
  4. “Love Over Gold” – Dire Straits:  I always loved Mark Knopfler’s guitar playing and his ability to create an atmosphere through the music, but for me this album (i.e. “Love Over Gold”) stood head and shoulders above the rest.  The piano arrangements, the world weary vocals and the insightful lyrics made it a pinnacle in what I considered to be a brilliant career.  On an album full of great songs, the message of this one hits me the hardest.
  5. “One for My Baby & One More for the Road” – Frank Sinatra:  I was not really into the music of this era, but from my perspective, this is one the coolest recordings ever produced.  Whenever I hear it I can almost smell the gin and cigarettes.
  6. “Hotel California” – The Eagles:  As you can tell from my list, I hate to pick the obvious, but what can I say about this song and this band.    Too many of their albums were like a collection of solo songs from each talented member, but on this song you can hear all of them being great together.  Definitely one of the greatest rock songs ever.
  7. “Can’t Get Next to You” – The Temptations:  It’s hard to pick from all the great Motown classics, I could just as easily have listed “Reach Out” by the Four Tops or “Ain’t No Mountain High Enough” by Marvin Gaye and Tammi Terrell.  It’s nearly impossible to listen to any of these songs without singing and dancing along.  This song in particular displays the great vocal talent of the Temptations at their peak.
  8. “Between the Lines” – Michael Stanley Band:  This is another one of those forgotten singles by a largely forgotten band.  Even after all these years I fall for this song’s pop hook.  This is just a great sounding record.
  9. “Moondance” – Van Morrison:  Not much to say about this song, it just imbedded itself in my soul and it’s been stuck there ever since.  I never heard anything else from Van Morrison that even remotely touched it.
  10. “For Sentimental Reasons/Tenderly/Autumn Leaves  (Medley)” – Natalie Cole:  I never thought much of Natalie Cole when she was singing her pop/R&B songs, but when she switched to singing some of the old standards, I thought she really found her niche.  This medley is especially beautiful.  It will always hold a special place in my heart, as it was playing when I proposed to my wife.

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This is a significant week in the minds of avid golf fans, as the Masters Tournament gets underway in Augusta Georgia.  Adding to the hoopla this year is the return of Tiger Woods after an extended layoff due to personal issues.  It’s doubtful that many people in America aren’t familiar with his story, as it has been absolutely beat to death in the media for months now.  Anyone hoping that this event would mark a shift from the scandal back to the game of golf itself had to be disillusioned when Billy Payne, the Chairman of the Augusta National club, decided to issue yet another statement expressing his (and presumably the club’s) “disappointment” in Mr. Woods’s moral failures.  As I read those comments, I was once again reminded of the absurdity of the media reaction to this scandal.

Let me begin by saying that I unequivocally believe that what Tiger Woods did was wrong and not at all defensible.  It is sad and disgraceful; and undoubtedly has been very hurtful to his family.  To that degree, I can understand that this was a noteworthy story.  But from my perspective, the shock and dismay offered by the sports industry and media, has been laughable.  Are we really expected to believe that Tiger Wood’s behavior is significantly different than the vast majority of other pro athletes (including other golfers on the PGA tour)?  And what of the power brokers who man the boardrooms of his corporate sponsors or who roam the clubhouse at Augusta National; are we to believe that they are somehow bastions of moral purity, who aren’t using their position and influence for similar intrigues.  What of the sports media itself; haven’t enough ESPN staffers been caught with their proverbial pants down to indicate that such behavior is pervasive within the media as well?  Not that their indiscretions in anyway excuse Tigers, but how can these people stand with a straight face and incredulously wag their fingers in his direction.

The truth of the matter is that the sports industry actively promotes the sexually charged atmosphere that permeates most professional athletics.  Look at just about any sports network on the web and you will undoubtedly encounter numerous images of barely clad, hard bodies, greased and sprawled across their screens.  Does a team that can fill 55,000 seats, at over $50.00 a ticket, really need a cheerleading squad to get the crowd excited about the team?  Does anyone really believe that “Swimsuit Issues” have anything to do with the swimwear?  From the time a little leaguer hits adolescence, sex is implicitly presented as one of the perks that comes with being a successful athlete.  Those who might miss it in their high school experience are likely to encounter it when recruited to the collegiate level; and if their success continues, the sky becomes the limit.  Does anyone really believe that corporate sponsors, agents or team officials are somehow above facilitating these type activities for their best and brightest?   Tiger admitted that on some level he felt as though the rules (e.g. of decent moral behavior) didn’t really apply to him and I believe that this is an attitude that is cultivated in most successful athletes.  For many within the sports world, “Just Do It!” is more than just a corporate slogan, it is a mantra.  And yet in spite of all this, we are somehow supposed to believe that the whole of the professional sports world is aghast at Tiger’s behavior.  For me, such a pill is too barbed with hypocrisy to be swallowed.

Something that I’ve heard repeatedly throughout this scandal is that Tiger has violated the trust of his fans; and for me, that begs the question, “What exactly were his fans trusting him for?”  Should the fact that someone can play the game of golf (or baseball, basketball, football…) say anything about what kind of human being they are?  Why would anyone “trust” someone they don’t even know?  While I would hope that sports celebrities would take seriously their role as an ambassador of the game and maybe even embrace the idea of being a role model, I have to wonder why a fan would look to a ball player to understand the proper context for marriage and family.  In Billy Payne’s comments, he said that, “Our hero did not live up to the expectations of the role model we saw for our children.”  I find it to be an incredibly sad commentary on the state of morality and family at the Augusta National club, if these accomplished men were genuinely relying on this relatively young professional golfer to teach their children something virtuous about marriage and personal conduct.  Further, I think that the use of the word “hero”, when applied to an athlete, is generally ridiculous and offense.  A hero is someone who places the needs of others above their own and who willingly sacrifices for the good of others.  Having tremendous athletic ability and being successful does not qualify someone as a hero.  Our choice to covet what they have and to worship who we think they are simply qualifies them as an idol.  Just as Tiger needed to admit that his actions were wrong, those who’ve invested such lofty expectations in a mere celebrity ought to admit to themselves that they were also misguided.

From my perspective, what the sports world really cares about is winning, which makes me wonder if their real disappointment is that this situation has tarnished Tiger’s image as a “winner”.  It’s made him look weak, indecisive and even foolish to some degree; and that probably never would have happened on the golf course.  Many are saying that he needs to prove himself as a husband, a father and as a man of integrity, before he will be accepted back into the good graces of the public.  But history would say otherwise; just ask Kobe Bryant or A Rod.  For Tiger’s sake and the sake of his family, I pray that he is able to genuinely become the person he aspires to be.  At the end of his life his relationships with those people will be far more valuable than anything he could hope to accomplish on the golf course.  But as far as the sports world is concerned, a win at the Master’s would probably do for him what an MVP & NBA title did for Kobe and what a World Series win did for A-Rod.  After all in America we can’t help but love a winner.

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Last week saw the passing of yet another cultural icon in America, former news anchorman Walter Cronkite.  While that may not register as high on the pop culture Richter scale as some other recent deaths, I can’t help but feel that, at least in a symbolic way, it may have been even more significant.  There was a time, in the now distant past, when most of America looked to Walter Cronkite for their daily news; earning him the title of “The Most Trusted Man in America”.  That almost sounds funny to our post-millennial sensibilities; after all, why should we need to trust the guy who’s reading the teleprompter (or in Walter’s heyday, the news copy).  But the world was a very different place in the era that Cronkite established his legacy; America was not the undisputed world power that it is today; and the general public was far more aware of the subversive ideologies (e.g. communism) that were competing for world domination.  In that day, one need only look to what was then the “Soviet Union” to see a news media that only reported the things that supported their political agenda and that was used as a tool to control the people.  Thus it was important for American’s to know that they were receiving a clear and unbiased reporting of the details surrounding any particular event.  To succeed in such an era it was essential that a journalist convey some sense of neutrality in their reporting and this was a key to Cronkite’s appeal.  It wasn’t so much who he was as a human being, after all we didn’t really know the man; it was more what he represented to a troubled American psyche.  It’s not so much that he told us the truth; it’s more that we believed he was telling us the truth.  He may not have really been as wise and unflappable as he seemed, but we were convinced that he was and collectively we found that reassuring.

Of course, history has moved on; the cold-war ended, America rose to the top of the world food chain and we’ve changed the way we think these days.  People of my generation grew up with the perception that we are the most powerful country in the world and that there is very little that poses a legitimate threat to our way of life.  We’ve become far less concerned about the possibility of a subversive ideology infiltrating our culture and much more concerned about our right to have a subversive ideology if we want one.  Our news media has definitely changed with the times as well.  Gone is the need to appear to be neutral or even unbiased.  We now have whole networks devoted to reporting the news with their own particular slant and we like to watch the one’s that slant in the same direction that we do.  It may not be the truth, but somehow we find it reassuring to hear things that support our particular point of view.  As I ponder these changes, I wonder at whether Walter Cronkite would have had much of a career in today’s media and I find myself even more sorry to see him go.

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There are probably few people in the Western Hemisphere this morning who haven’t heard of yesterday’s passing of Michael Jackson and Farah Fawcett; and while neither one had been at the forefront of the cultural consciousness for awhile, both left an indelible mark on pop culture history. 

At the peak of her popularity, Farah Fawcett was largely viewed as the standard by which physical beauty was judged.  Though her resume of achievements was relatively minor, her image was world renown and in many ways her popularity was similar to that of Marilyn Monroe’s.  Throughout her career Farah seemed to struggle to be viewed as more than just a pretty face and to some degree she achieved that with a couple of TV movies that revealed a greater depth to her acting ability; but in the end, it was her iconic beauty that created a lasting legacy.

By contrast, Michael Jackson’s resume of achievements was extensive and his talent was undeniable.  At his peak, he was arguably the best known human being on the planet and the devotion of his fans bordered on religious.  A tremendously gifted entertainer and a famously generous ambassador of goodwill, it seemed that everything he touched turned to gold.  That was until he allegedly touched a little boy inappropriately.  Even those allegations didn’t seem to dampen his popularity initially, but looking back, it was the beginning of the end for Michael’s unprecedented string of success.  As his personal life came under greater scrutiny, he began to seem less magical and more bizarre.

As a man who grew up in the midst of their popularity, I will confess that at times I envied them and wished that my own life was more like theirs.  I had always wanted to be one of the beautiful people, to be talented and popular and rich!  I once believed that would be the ultimate life and that people like them had it made.  They were the epitome of beauty, talent, fame & fortune; and what could be better than that?  But today, it’s hard for me to view them that way.  Despite all that they had and experienced, both of them appeared to be tormented souls, who seemed to be searching for something that they never quite grasped.  Neither one ever seemed to reach the place of being comfortable in their own skin.  At this point in my life I wouldn’t dream of trading the life that I’ve known for the life that they lived.  Yesterday, as these to cultural icon’s passed away; I doubt that their enduring legacy was particularly meaningful to them.  I wonder if either of them wrestled with the notion of whether anyone had truly loved them for who they were, apart from their accomplishments and image.  Though I am not immune to the sense of sadness that accompanies the passing of every human being, I wonder if the greater tragedy isn’t the life they never got a chance to live.  I pray that they can now rest in peace.

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