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Posts Tagged ‘Elton John’

A couplet refers to two individual pieces which fit together so beautifully that they become one unit.  While either piece can stand on its own merit, they are significantly diminished by the absence of the other.  And so, it is with the following musical couplets:

  1. Funeral for a Friend/Love Lies Bleeding – Elton John
  2. We Will Rock You/We Are the Champions – Queen
  3. Foreplay/Longtime – Boston
  4. Nights in White Satin/Late Lament – Moody Blues
  5. Eruption/You Really Got Me – Van Halen
  6. Falling in and Out of Love/Amie – Pure Prairie League
  7. Venus & Mars/Rock Show – Paul McCartney & Wings
  8. Suite: Clouds, Rain – David Gates
  9. No Sugar Tonight/New Mother Nature – The Guess Who
  10. Sirius/Eye in the Sky – Alan Parsons Project

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Desert Island Discs – Songs

The concept of a “Desert Island Disc” is that if you were trapped on a desert island for the rest of your days, and could only listen to ten songs, what would they be.  Interestingly, this list may not be the same as your “favorite songs” list.  In considered listening to the same songs over and over again, you’ll want something that stands the test of time.  For me that includes strong arrangements (both vocally & instrumentally), meaningful lyrics, and emotionally compelling performances.  Ironically, only one of these songs appears on an album from my Desert Island Disc – Album List.

  1. Fire and Rain – James Taylor
  2. Homeward Bound – Simon & Garfunkel
  3. If You Could Read My Mind – Gordon Lightfoot
  4. Toulouse Street – Doobie Brothers
  5. So Far Away – Carole King
  6. Wichita Lineman – Glen Campbell
  7. Every Season – Nichole Nordeman
  8. Horse with No Name – America
  9. California Dreamin – The Mama’s and Papa’s
  10. Solsbury Hill – Peter Gabriel

Moondance – Van Morrison

In My Life – The Beatles

Your Song – Elton John

Annie’s Song – John Denver

Landslide – Fleetwood Mac

Desert Island Discs – Albums

The concept of a “Desert Island Disc” is that if you were trapped on a desert island for the rest of your days, and could only listen to ten albums, what would they be.  Interestingly, this list may not be the same as your “favorite albums” list.  In considered listening to the same albums over and over again, you need to look for content that is strong throughout, with few (if any) wasted tracks.  You’ll also want something that stands the test of time, and that has some level of emotional depth.  That narrows the competition significantly.  Some of these are classic records, while others are simply personal favorites.

  1. Tapestry – Carole King
  2. Aja – Steely Dan
  3. Rumours – Fleetwood Mac
  4. Love Over Gold – Dire Straits
  5. Hotel California – The Eagles
  6. Sowing the Seeds of Love – Tears for Fears
  7. Boston – Boston
  8. Seal (1994) – Seal
  9. Crosby Stills & Nash (Debut)
  10. Life Beyond LA – Ambrosia

52nd Street – Billy Joel

Under a Blood Red Sky – U2

Bad Company (Debut)

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I was fortunate to grow up in the era of the Album Oriented Rock (AOR) radio format, which allowed DJ’s to play songs that weren’t necessarily released as singles.  This provided access to a treasure trove of great music that I wouldn’t have otherwise heard.  In the digital download era, listening to an entire album of music is almost unheard of, so that makes the concept of an album cut even more obscure.  Here are a few of my all-time favorite album cuts, which doesn’t include what is arguably the greatest album cut ever, “Stairway to Heaven”.

  • Scenes From an Italian Restaurant – Billy Joel

This dizzying ode to “Brenda and Eddie” contains all of the best elements of Billy’s classic recordings rolled into one song.  Coming from Joel’s breakout album, “The Stanger”, it stands comfortably amongst his best work.

  • Hitch a Ride – Boston

Taken from Boston’s remarkable debut album, this laid back rocker features some spectacular guitar work from Tom Scholz, and manages to stand out on a record full of standout tracks.

  • Shoot High, Aim Low – Yes

Die hard Yes fans often bemoan the success of the band’s revised lineup from the 1980’s, but I would argue that they were still making thoroughly original, and compelling music throughout those years.  This track combines the best of those different lineups, with its shared lead vocals, it’s weaved aural landscape, and some typically dazzling musicianship.  It is a great example of what made this band so memorable.

  • Bitter Creek – The Eagles

At the time the Eagles first formed, Bernie Leadon was arguably their most accomplished member, based on his time with the critically acclaimed, “Flying Burrito Brothers” and his work with Linda Ronstadt.  An exceptional string player, and able vocalist, his decidedly country bent was a significant part of the band’s early sound.  He both penned and sang this haunting tune from the band’s sophomore release, “Desperado”.  But as the team of Henley/Frey emerged, and the band’s sound developed more of a rock edge, Leadon’s influence steadily diminished, until he eventually left the group after the completion of the “One of These Nights” album.

  • Funeral for a Friend/Love Lies Bleeding – Elton John

At the time of this medley’s 1973 release, Elton, his band, and his songwriter partnership with Bernie Taupin, were all at their peak.  This epic pairing starts off the classic double-album, “Goodbye Yellow Brick Road” with a bang, and along with “Candle in the Wind” and “Bennie and the Jets” forms one of the greatest albums sides of all-time.

  • Toulouse Street – The Doobie Brothers

Though Tom Johnston was generally regarded as the bands lead singer, Patrick Simmons frequently sang his individual compositions, including the notable hits “Black Water” and “Jesus is Just Alright”.  On this darkly beautiful cut, the vocal harmonies, layers of acoustic guitars, and a lone flute weave together to create an ominous atmosphere akin to a late-night walk, down an unlit alley, somewhere in the forgotten edges of the French Quarter.  

  • Sister Moon – Sting

By the release of Sting’s second solo album, “Nothing Like the Sun”, he had become one of the most popular artists on the planet.  Only a few years removed from the Police’s spectacular, “Synchronicity”, and fresh on the heels of the triple platinum success of, “The Dream of the Blue Turtles”, his voice was all over the radio (and MTV) on both Band Aid’s “Don’t They Know It’s Christmas?”, and the Dire Straits smash hit, “Money for Nothing”.  This second record was by degrees more nuanced and complex than the first, which forecast the pioneering spirit that would ultimately come to define Sting’s solo career.  This straight jazz/blues tune was a throwback to a bygone era, and demonstrated the rapidly expanding range of his artistry.

  • Telegraph Road – Dire Straits

This sprawling fourteen minute opus demonstrates everything that made Dire Straits worthy of the Rock and Roll Hall of Fame.  The writing, arrangement, production, and musical performance are nothing short of spectacular.   Like the movie soundtrack work done by frontman Mark Knopfler, this song creates a sweeping musical backdrop for a world weary tale of trying to pioneer a better future.  Though not their most commercially successful record, it may well be the bands most fully realized recording.

  • Nutshell – Alice in Chains

On the heels of the triple platinum success of their 1992 album, “Dirt”, Alice in Chains booked a few days in the studio to write and record some acoustic material.  Within a week, they emerged with seven songs that were eventually released as an EP (1994s – “Jar of Flies”).  Stripping the band of its thundering arena rock sound, allowed their raw artistry to emerge.  This track highlights both singer Layne Staley, and guitarist Jerry Cantrell, at the peak of their powers.    

  • Landslide – Fleetwood Mac

Though written before Stevie Nicks was actually a member of the band, this classic tune first appeared on 1975s “Fleetwood Mac” album.  Almost 50 years later, most die-hard fans still consider it to be her signature song.  Given that Nicks is enshrined in the Rock and Roll Hall of Fame, as both a member of the band, and as a solo act, that is no small accolade.

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