Posts Tagged ‘The Doors’

  1. Led Zeppelin – Led Zeppelin:  From the opening notes of the first track (Good Times, Bad Times), Zeppelin’s debut album hailed the coming of one of rock-n-rolls greatest bands.  Mixing bruising rock with heavy blues, and sprinkling in a touch of folk, it was an instant hit that set off a string of now classic albums (e.g. Led Zeppelin II, III, IV, Houses of the Holy, and Physical Graffiti).  Cuts like “Dazed and Confused”, “Babe I’m Gonna Leave You” and “Communication Breakdown” stand amongst the best in Zeppelin’s catalog.
  2. The Cars – The Cars:  On the front of what was aptly called the, “New Wave”, the Cars debut record was a heady blend of synthesizers, crunchy guitars and quirky lyrics.  Though the band went on to score numerous radio hits, no album in their catalog ever approached the consistent quality of this one.
  3. Appetite for Destruction – Guns N’ Roses:  Looking back, it’s hard to remember that this record didn’t initially sell very well.  It wasn’t until the radio got a hold of “Sweet Child o Mine”, that sales began to take off.  Along with the popularity of tracks like “Welcome to the Jungle” and “Paradise City”, the album went on to sell almost 30 million copies worldwide.
  4. Crosby, Stills & Nash – Crosby, Stills and Nash:  Despite their notable success with other bands, David Crosby (The Byrds), Stephen Stills (Buffalo Springfield) and Graham Nash (The Hollies) never sounded better than when they joined their voices together in this super-group.  Their 1969 debut album stands as one of the greatest records of that turbulent era.
  5. Van Halen – Van Halen:  The Van Halen brothers arrived with a bang on their 1978 debut record.  Featuring tight rhythms, David Lee Roth’s distinctive howl, and Eddie’s virtuoso guitar work, it was a gritty counterpoint to the synth-pop sounds that ruled the airwaves.  For die-hard fans, this album still represents the pinnacle of their catalog.
  6. Whitney Houston – Whitney Houston:  Though originally released in 1985, it took almost a year for this landmark debut album to reach a worldwide audience.  But Whitney Houston’s dazzling voice and stunning beauty were impossible to ignore; as the record went on to produce three #1 singles.  It was a remarkable beginning for one of pop music’s most amazing voices.
  7. Boston – Boston:  Though their debut album seemed to explode onto the music scene in 1976, it was actually years in the making.  Techno wiz Tom Scholz essentially began the process of recording with the core of the band in the early 1970’s, repeatedly reworking the demos until he felt they were ready.  The finished product became one of the biggest selling debut albums of all time, and nearly forty years after its release, songs from this record can still be regularly heard on rock radio.
  8. The Pretenders – The Pretenders:  Though formed in England, the creative core of the group was primary songwriter, and singer, Chrissie Hynde; who was originally from Akron Ohio.  More gritty than the typical New Wave band, and more accessible than the average Punk band, their music was a compelling blend of influences.  Even decades removed from the context of the early 1980’s, this record still sounds fresh and relevant.
  9. Ten – Pearl Jam:  Just as band mates Stone Goassard and Jeff Ament’s previous group (Mother Love Bone) was set to release their debut album, lead singer Andrew Wood died of a drug overdose.  Just a year later, they regrouped with a new lead singer (Eddie Vedder), renamed the band (Pearl Jam), and released their ground-breaking debut album “Ten”.  Despite it’s rather dark themes, rock radio gravitated to cuts like, “Alive”, “Evenflow”, “Jeremy”, and “Black”; as the album went on to sell over 13 million copies.
  10. The Doors – The Doors:  1967 proved to be a pivotal year in Rock-n-Roll history, and the release of The Doors self-titled debut record proved to be a significant part of that.  Whether it was the irresistible keyboard hook of “Light My Fire”, the rocking “Break On Through”, or the haunting, “The End”, this record was an instant classic.

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After spending the first thirty years of my life being glued to the radio, collecting record albums, and reading Rolling Stone magazine, I took about a twelve year hiatus from that whole scene. In recent years, as I’ve revisited some of that old music, I’ve been surprised by how different some of it sounds to me now.  A few of the bands I used to love don’t sound that good anymore, and others seem even better than I remember them.  Here are a few examples:


  • Steely Dan I always enjoyed this bands completely unique approach to their craft. The complex jazz influenced arrangements, the exquisite musicianship, the cryptic lyrics and the sparkling production made them standout against the rock/pop music landscape. These attributes also give their best work a timeless quality that has allowed it to become classic.
  • Chicago – In its heyday, this band was one of the brightest and most innovative groups in rock music. Through their first ten albums they produced a library of compelling music, much of which remains vibrant today. Though the exploitation of the band’s name in later years diminished their stature in the rock community, a listen to their earlier work is a great reminder of what a special group this was.
  • Bad Company – Formed from the ashes of the bands, “Free”, “Mott the Hoople” and “King Crimson”, Bad Company was something of a super-group and it showed immediately on their classic (self-titled) debut album. Though their run (with the original lineup) was relatively brief, it produced five solid albums filled with a lot of great music.
  • The Guess Who – This legendary Canadian band has taken on many forms over the years, but it was the combination of Burton Cummings remarkable vocals and guitarist Randy Bachman’s copious musical skills that created their most memorable music. Between 1969 and 1970 they released classics like, “These Eyes”, “Laughing”, “Undun”, “No Time”, “No Sugar Tonight/New Mother Nature”, “Share the Land”, and “American Woman”. Those songs alone give them a Hall of Fame worthy resume.


  • Kiss – No one is likely to dispute their credentials as world class entertainers, and I would list a Kiss concert (with makeup) as a must-see event for any avid rock music fan. But as I revisited the old studio recordings it’s been hard to miss the mediocre songwriting, singing and, in many cases, playing. Other than Kiss Alive I & II, I’d be hard pressed to get through a whole album anymore.
  • Eric Clapton (Solo) – There’s no doubt that Clapton is a guitar virtuoso, and that he has played on numerous classic recordings. But as I’ve listened with fresh ears it’s difficult not to notice the huge disparity between the work he did in bands such as the Bluesbreakers, Cream, Blind Faith, Derek and the Domino’s, and his solo recordings. His limitations as a songwriter and vocalist become far more apparent when he was not surrounded by great musicians/vocalists like Jack Bruce, Ginger Baker, Duane Allman, Steve Winwood… His best solo recordings have generally been songs written by others (e.g. JJ Cale).
  • Jimi Hendrix – I know that I’ll likely be lynched for including his hallowed name on this list, and it is in no way meant to disparage his amazing talent. In truth, it is more a lament over the circumstances that surrounded his brief recording career. Though every fan cherishes anything they can get their hands on, most of the Hendrix catalog is made up of poorly recorded, poorly produced snippets of songs and ideas. All of them point to the limitless potential that Hendrix possessed, but sadly, few of them represent the realization of that potential.

Lives Up to the Hype:

  • The BeatlesThese guys are the gold standard by which just about everyone else is judged and after years of not hearing them, their music still sounds fresh and innovative. With all due respect to their notable individual accomplishments, none of them consistently approached this artistic level as a solo artist.
  • The Doors – Like everyone else, I was a big Jim Morrison fan, and was often mesmerized by his persona. But in revisiting the Doors catalog I was struck by the incredible talent and contributions of the rest of the band (keyboardist Ray Manzarek, drummer John Densmore and guitarist Robby Krieger).   They were by no means simply Morrison’s backing band.
  • Led Zeppelin – English bands that loved to play the blues were a dime a dozen back in the 1960’s, but none of them quite reached the heights that Zeppelin did. Their eclectic mix of blues, folk and hard rock could be at times tender, haunting, or even bludgeoning. Going back and listening to this music only enhanced my respect for this one of a kind band.

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