Posts Tagged ‘Bruce Springsteen’

“That’s The Way I’ve Always Heard It Should Be” – Carly Simon

My friends from college they’re all married now;

They have their houses and their lawns.

They have their silent noons,

Tearful nights, angry dawns.

Their children hate them for the things they’re not;

They hate themselves for what they are-

And yet they drink, they laugh,

Close the wound, hide the scar.


“Slip Slidin’ Away”Paul Simon

I know a woman, (who) became a wife

These are the very words she uses to describe her life

She said a good day ain’t got no rain

She said a bad day is when I lie in the bed And I think of things that might have been


“At Seventeen” Janis Ian

To those of us who knew the pain

Of valentines that never came

And those whose names were never called

When choosing sides for basketball

It was long ago and far away

The world was younger than today

And dreams were all they gave for free

To ugly duckling girls like me


We all play the game and when we dare

We cheat ourselves at solitaire

Inventing lovers on the phone

Repenting other lives unknown

That call and say – Come dance with me

And murmur vague obscenities

At ugly girls like me, at seventeen


“Vincent”Don McLean

And when no hope was left in sight

On that starry, starry night

You took your life, as lovers often do

But I could’ve told you Vincent

This world was never meant for One as beautiful as you


“I Can’t Make You Love Me” Bonnie Raitt

I’ll close my eyes ‘Cause then I won’t see

The love you don’t feel When you’re home with me

Morning will come And I’ll do what’s right

Just give me till then To give up this fight

And I will give up this fight

‘Cause I can’t make you love me if you don’t

You can’t make your heart feel Somethin’ that it won’t

And here in the dark, in these final hours

I will lay down my heart I’ll feel the power,

but you won’t

No you won’t

‘Cause I can’t make you love me

When you don’t


“Two Black Cadillacs”Carrie Underwood

Two months ago his wife called the number on his phone

Turns out he’d been lying to both of them for oh so long

They decided then he’d never get away with doing this to them

Two black Cadillacs waiting for the right time, right time


And the preacher said he was a good man

And his brother said he was a good friend

But the women in the two black veils didn’t bother to cry (Bye bye, Bye bye)

Yeah they took turns laying a rose down

Threw a handful of dirt into the deep ground

He’s not the only one who had a secret to hide (Bye bye, bye bye, bye bye)

It was the first and the last time they saw each other face to face

They shared a crimson smile and just walked away

And left the secret at the grave

“Hungry Heart”Bruce Springsteen

Got a wife and kids in Baltimore, Jack

I went out for a ride and I never went back

Like a river that don’t know where it’s flowing

I took a wrong turn and I just kept going


“Lyin’ Eyes”The Eagles

She gets up and pours herself a strong one

And stares out at the stars up in the sky

Another night, it’s gonna be a long one

She draws the shade and hangs her head to cry


She wonders how it ever got this crazy

She thinks about a boy she knew in school

Did she get tired or did she just get lazy?

She’s so far gone she feels just like a fool


My, oh my, you sure know how to arrange things

You set it up so well, so carefully

Ain’t it funny how your new life didn’t change things

You’re still the same old girl you used to be


“Fast Car”Tracy Chapman

See my old man’s got a problem

He live with the bottle that’s the way it is

He says his body’s too old for working

His body’s too young to look like his

My mama went off and left him

She wanted more from life than he could give

I said somebody’s got to take care of him

So I quit school and that’s what I did


You got a fast car Is it fast enough so we can fly away?

We gotta make a decision Leave tonight or live and die this way


I found her diary underneath a tree

And started reading about me

The words began to stick

and tears to flow

Her meaning now was clear to see

The love she’d waited for

was someone else not me

Wouldn’t you know it

She wouldn’t show it

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1.     Believe (Josh Groban):  Like so many other songs of Christmas, the inclusion of this track in a popular holiday movie has cemented its invitation to the annual yuletide reunion.  Josh Groban’s strong vocal performance, combined with the vivid imagery of “The Polar Express,” is the perfect recipe for an enduring holiday classic.

2.     Silent Night (Mannheim Steamroller):  Even though Chip Davis’ assembly “Mannheim Steamroller” had gained considerable notoriety with their “Fresh Aire” projects, it was their Christmas recordings (beginning in 1984) which brought them their greatest success.  Arguably, their version of Silent Night or “Stille Nacht”, from that first Christmas record, represents a pinnacle in their holiday offerings.

3.     Breath of Heaven Mary’s Song (Amy Grant):  Written in a period where Grant’s pop music success had caused some to question her commitment to spiritual themes, this song stands as one of her most profound and timeless compositions.

4.     You’re a Mean One Mr. Grinch (Thurl Ravenscroft & Others):  Buoyed by the annual replay of the original animated Dr. Seuss Christmas special, and reignited by the subsequent release of the feature film (starring Jim Carrey), this song has undoubtedly made a spot for itself at our holiday tables. 

5.     Christmas Eve/ Sarajevo 12/24 (Trans-Siberian Orchestra):  This progressive rock variation of the “Carol of the Bells” has already become a Christmas classic, and made the Trans-Siberian Orchestra’s annual tours a must-see holiday event.

6.     Mary Did You Know (Michael English & Others):  Originally written by comedian/singer Mark Lowry for a church Christmas production (1984), it has no doubt been a part of many other seasonal pageants in the years since.  Though the song has been recorded by several Christian artists, it has also been popular with mainstream artists such as Kenny Rogers/Wynonna Judd, Cee Lo Green and Clay Aiken.

7.     Wonderful Christmas Time – Paul McCartney:  Though die-hard Beatles fans might eschew this light-hearted ode to Christmas, it has still managed to carve a niche for itself in pop music’s holiday tradition.

8.     Santa Claus in Coming to Town (Bruce Springsteen):  “The Boss” puts his stamp on this holiday staple, as he playfully banters with both his band and the live audience; and then tops it all off with a tasty sax solo by the “Big Man” (Clarence Clemmons).

9.     The Christmas Shoes (Newsong):  This heart-wrenching tale of a little boy’s holiday quest for his dying mother started as a simple song and has since blossomed into a batch of best-selling books and popular TV movies/DVD’s.

10.  Happy Christmas War is Over (John Lennon):  Given Lennon’s political history, it’s not surprising that his first holiday offering would come in the form of a war protest song.  Written and recorded around the same time his legendary “Imagine” was released, it was everything his fans had come to expect and love.

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I must clarify that I was not attempting to list the ten “most epic” songs of the rock era.  Indeed, there have been many more “epic” recordings than these; especially by art-rock bands like Emerson Lake & Palmer, Genesis, Jethro Tull, Yes and Pink Floyd.  Even bands such as Led Zeppelin and The Beatles had more ambitious works than the ones I’ve listed here; but what makes these songs extraordinary is that they were able to stand on their own merit (in some cases apart from the concept albums that spawned them) and that they achieved a level of notoriety (including substantial radio airplay) that is rare for such intricate music.  Most of them are structured more like classical compositions than the standard three minute pop anthems that generally rule the airwaves and yet these songs still managed to carve a niche for themselves in pop music lore.

  1. Nights in White Satin – The Moody Blues:  Though the use of orchestration within pop music was nothing new, the Moody Blues took that element to a whole new level with their 1967 album “Days of Future Past”.  This song’s darkly poetic lyrics (which seem to tell a tale of unrequited love), combined with the dramatic epilogue of “Late Lament”, form the perfect match for the roiling symphonic waves of the musical accompaniment.  Considering the state of pop music in that era, it seems doubtful that many executives at their record label had this song pegged as a potential chart topper.
  2. Day in the Life – The Beatles:  Taken from the 1967 album “Sgt. Pepper’s Lonely Hearts Club Band”, this song was a defining moment in the Lennon/McCartney collaboration.  Part lament, part wry humor, part political commentary; it hinted at the ever expanding musical landscape the Beatles would go on to explore on 1968’s “The Beatles” (a.k.a. The White Album) and 1969’s “Abbey Road”.  It also created an appropriately grand finale to one of the greatest albums of the rock era.
  3. Bohemian Rhapsody – Queen:  Easily one of the most elaborate recordings of all time, there is no popular song from the rock and roll era that remotely resembles this classic from the 1975 album “A Night at the Opera”.  While each member of the group made invaluable contributions to the songs creation, it was first and foremost a reflection of the band’s enigmatic lead singer Freddie Mercury.  Like Mercury himself, the song is at once theatrical, frenetic, oddly humorous, tragic and ultimately unforgettable.
  4. American Pie – Don McLean:  While Don McLean’s folk balladry may seem out of place on a list of “epic” songs, it would be hard to deny that the intense cultural poetry of this classic doesn’t qualify.  While much has been made of McLean’s use of the phrase “the day the music died” (which is purportedly a reference to the plane crash that claimed the lives of rock pioneers Buddy Holly, Ritchie Valens and The Big Bopper), that line is merely a thread in a much broader and richer tapestry.  Though the author has steadily refused to offer a literal interpretation of the song’s lyrics, their vivid imagery remains nonetheless profound and compelling.
  5. Stairway to Heaven – Led Zeppelin:  Though Led Zeppelin is primarily thought of as a hard rock band, their music was just as much rooted in blues, folk, psychedelia and mysticism.  With virtuosic musicianship and Robert Plant’s otherworldly vocals, they seemed to effortlessly flow from genre to genre.  Several of those elements came together on this landmark track, as the song builds from is haunting intro to its exhilarating crescendo.  Like the band itself, there is little that could legitimately be compared to it.
  6. Jungleland – Bruce Springsteen:  This nine and a half minute opus, which creates the emotional centerpiece of the classic “Born to Run” album, takes the listener on an emotional journey like no other rock track.  At points hopeful, haunting, exhilarating, and ultimately heartbreaking, Bruce and his brilliant band create an unforgettable slice of rock opera.
  7. Roundabout – Yes:  When it comes to sheer musical ability, few bands could approach the incredible array of gifted musicians who’ve passed through the membership of the band “Yes”.  At the time this tune (from the 1971 album “Fragile”) was recorded, the group could rightly boast at least three of the finest players in rock music; Steve Howe on guitars, Chris Squire on bass and Rick Wakeman on keyboards.  Their collective talent, combined with Jon Anderson’s distinctive high register vocals, made for a sound that pushed the boundaries of conventional rock.  Because of the dizzying intricacies of their music, it was likely the relatively fluid and lucid quality of this song that made it more palatable to the masses.
  8. Scarborough Fair / Canticle – Simon & Garfunkel:    Like Don McLean’s, “American Pie”, some might disagree with the application of the term “epic” to this arty folk song; but I would suggest that few songs from this period can boast such a lush and complex musical/vocal arrangement (especially within a standard 4:00 minute pop format).  With their voices seamlessly joined, they begin the old English folk song “Scarborough Fair” and then almost immediately begin trading leads to the delicate counterpoint of “Canticle”.  As the song builds, layer upon layer of vocals are weaved over a fabric of guitar and harpsichord.  Both beautiful and haunting, it is a great example of all that made this collaboration so memorable.
  9. Aqualung – Jethro Tull:  Despite a lack of radio-friendly singles, Ian Anderson and his band “Jethro Tull” have enjoyed a hugely successful career, that’s spanned five decades and resulted in records sales in excess of 50 million worldwide.  Anderson’s infamous theatrics, wry sense of humor, unique vocal style and deft musicianship have been at the core of that success.  In what is perhaps their best known song, from their most popular album, this entertaining portrait of the eccentric title character (Aqualung) is the perfect primer for those not familiar with the bands larger body of work.
  10. Us and Them – Pink Floyd: Few albums in the history of recorded music have been more successful than Pink Floyd’s 1973 release, “The Dark Side of the Moon”, which stayed on the charts for 15 consecutive years and has sold over 45 million copies worldwide.  Along with the classic “Money”, this song was one of two singles released from the album.  An unpredictable collage of David Gilmour’s ethereal vocals, Roger Waters manic lyrics, unexpected saxophone solo’s, choir filled choruses and a dazzling array of studio effects; it seemed to be an unlikely candidate for significant radio airplay and yet today stands as one of the bands most popular songs.

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