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Posts Tagged ‘Bread’

Ronan – Taylor Swift:  Created in the era when Swift’s compositions were more heartfelt than attitude filled, this song is based on the true story of a 4yr old boy (Ronan) who succumbed to cancer.  It is written, and sung from the perspective of the young mother he left behind.

What if I’m standing in your closet trying to talk to you?
What if I kept the hand-me-downs you won’t grow into?
And what if I really thought some miracle would see us through?
What if the miracle was even getting one moment with you?

Come on baby with me, we’re gonna fly away from here
Come on baby with me, we’re gonna fly away from here
You were my best four years

Jungleland – Bruce Springsteen:  In the midst of this nine-and-a-half-minute rock opera, Springsteen includes a moment of personal tragedy, where we watch as the last flicker of hope for a better tomorrow is extinguished.

Beneath the city two hearts beat
Soul engines running through a night so tender
In a bedroom locked in whispers
Of soft refusal and then surrender
In the tunnels uptown the Rat’s own dream guns him down
As shots echo down them hallways in the night
No one watches when the ambulance pulls away
Or as the girl shuts out the bedroom light

Promises – Randy Travis:  This tale of broken promises is made all the more poignant by the fact it comes forth in the voice of the man who is perpetuating the emotional carnage.  As clearly as he sees the virtue in his girl’s heart, he also sees the inevitability of both his own failure, and of her eventual departure.  It is a devastatingly honest portrait of the treason within.

Once again, she’ll reassure me.
And I believe her love will cure me,
and I’ll fall asleep with tears on my face.
And I know she’s just a woman,
and her love can’t last forever.
And someday soon, I know
she’ll leave without a trace.

For, broken promises will tear her dreams apart.
Just token promises will someday
break her heart,
and for the last time, she’ll hold me
when I cry, and while I’m sleeping…
she’ll quietly say goodbye…

Diary – Bread:  What begins as a seemingly sweet discovery of unexpressed love takes a subversive turn when the narrator suddenly realizes that he is not the object of her affection.  Perhaps even more bittersweet, is his vow to wish nothing but the best for her anyway.

I found her diary underneath a tree
And started reading about me
The words began to stick and tears to flow
Her meaning now was clear to see
The love she’d waited for
was someone else not me
Wouldn’t you know it
She wouldn’t show it

And as I go through my life
I will wish for her his wife
All the sweet things she can find
All the sweet things they can find

At Seventeen – Janis Ian:  This brutally honest depiction of the struggles that accompany adolescence is as emotionally raw as anything to ever come across the airwaves.

To those of us who know the pain
Of valentines that never came
And those whose names were never called
When choosing sides for basketball
It was long ago and far away
The world was younger than today
And dreams were all they gave for free
To ugly duckling girls like me

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“That’s The Way I’ve Always Heard It Should Be” – Carly Simon

My friends from college they’re all married now;

They have their houses and their lawns.

They have their silent noons,

Tearful nights, angry dawns.

Their children hate them for the things they’re not;

They hate themselves for what they are-

And yet they drink, they laugh,

Close the wound, hide the scar.

*

“Slip Slidin’ Away”Paul Simon

I know a woman, (who) became a wife

These are the very words she uses to describe her life

She said a good day ain’t got no rain

She said a bad day is when I lie in the bed And I think of things that might have been

*

“At Seventeen” Janis Ian

To those of us who knew the pain

Of valentines that never came

And those whose names were never called

When choosing sides for basketball

It was long ago and far away

The world was younger than today

And dreams were all they gave for free

To ugly duckling girls like me

 

We all play the game and when we dare

We cheat ourselves at solitaire

Inventing lovers on the phone

Repenting other lives unknown

That call and say – Come dance with me

And murmur vague obscenities

At ugly girls like me, at seventeen

*

“Vincent”Don McLean

And when no hope was left in sight

On that starry, starry night

You took your life, as lovers often do

But I could’ve told you Vincent

This world was never meant for One as beautiful as you

*

“I Can’t Make You Love Me” Bonnie Raitt

I’ll close my eyes ‘Cause then I won’t see

The love you don’t feel When you’re home with me

Morning will come And I’ll do what’s right

Just give me till then To give up this fight

And I will give up this fight

‘Cause I can’t make you love me if you don’t

You can’t make your heart feel Somethin’ that it won’t

And here in the dark, in these final hours

I will lay down my heart I’ll feel the power,

but you won’t

No you won’t

‘Cause I can’t make you love me

When you don’t

*

“Two Black Cadillacs”Carrie Underwood

Two months ago his wife called the number on his phone

Turns out he’d been lying to both of them for oh so long

They decided then he’d never get away with doing this to them

Two black Cadillacs waiting for the right time, right time

 

And the preacher said he was a good man

And his brother said he was a good friend

But the women in the two black veils didn’t bother to cry (Bye bye, Bye bye)

Yeah they took turns laying a rose down

Threw a handful of dirt into the deep ground

He’s not the only one who had a secret to hide (Bye bye, bye bye, bye bye)

It was the first and the last time they saw each other face to face

They shared a crimson smile and just walked away

And left the secret at the grave
*

“Hungry Heart”Bruce Springsteen

Got a wife and kids in Baltimore, Jack

I went out for a ride and I never went back

Like a river that don’t know where it’s flowing

I took a wrong turn and I just kept going

*

“Lyin’ Eyes”The Eagles

She gets up and pours herself a strong one

And stares out at the stars up in the sky

Another night, it’s gonna be a long one

She draws the shade and hangs her head to cry

 

She wonders how it ever got this crazy

She thinks about a boy she knew in school

Did she get tired or did she just get lazy?

She’s so far gone she feels just like a fool

 

My, oh my, you sure know how to arrange things

You set it up so well, so carefully

Ain’t it funny how your new life didn’t change things

You’re still the same old girl you used to be

*

“Fast Car”Tracy Chapman

See my old man’s got a problem

He live with the bottle that’s the way it is

He says his body’s too old for working

His body’s too young to look like his

My mama went off and left him

She wanted more from life than he could give

I said somebody’s got to take care of him

So I quit school and that’s what I did

 

You got a fast car Is it fast enough so we can fly away?

We gotta make a decision Leave tonight or live and die this way
*

“Diary”Bread

I found her diary underneath a tree

And started reading about me

The words began to stick

and tears to flow

Her meaning now was clear to see

The love she’d waited for

was someone else not me

Wouldn’t you know it

She wouldn’t show it

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This article is not intended to be a list of the “most distinctive voices of the rock era”, because with all due respect to folks like Neil Young, Bob Dylan, Axel Rose, Janis Joplin, Bjork… distinctive is not necessarily synonymous with high quality.  This also isn’t a list of the best vocalists of the era, though a couple of these might qualify for that one as well.  Instead it is meant to highlight some truly unique vocalists who made a mark on the music of their era.

1.    Roy Orbison (solo, The Traveling Wilburys):  Few could boast the vocal range of this rock pioneer, whose natural baritone was perfectly capable of reaching into the high tenor range.  Though best known for his classic, “Oh, Pretty Woman”, hits like “Crying” and “Only the Lonely” were an even better showcase for this special vocal talent.

2.    Robert Plant (Led Zeppelin, solo):  Despite being known as a hard rock vocalist, Plant has shown himself to be equally adept at singing the blues (e.g. “Since I’ve Been Loving You”), folk (e.g. “That’s the Way”), pop standards (e.g. “Sea of Love” w/The Honeydrippers) and even bluegrass (e.g. the “Raising Sand” LP).  Regardless of the genre, he makes every song uniquely his own.

3.    David Gates (Bread, solo):  Though the radio friendly pop ballads of his band “Bread” aren’t necessarily esteemed in rock circles, few would argue the tender, expressive quality of David Gates vocal delivery.  Decades later, his body of work continues to find an audience through Oldies stations around the world.

4.    John Fogerty (Creedence Clearwater Revival, solo):  Though it’s tempting to group Fogerty’s raspy vocals with the likes of Bob Dylan and Neil Young, his voice actually had a sturdier and more musically credible quality to it.  Undoubtedly, his unique delivery was a key element in creating some of the most memorable records of that era.

5.    Steve Perry (Journey, solo):  While the pop leanings of the rock band Journey were likely a turn off to some purists, they still managed to produce a string of highly listenable and memorable albums.  Though the band boasted a roster of notable musicians (e.g. former Santana members Neal Schon & Gregg Rolie), it was Steve Perry’s pristine vocals that ultimately distinguished them from the rest of the pop rock pack.

6.    Art Garfunkel (Simon & Garfunkel, solo):  Blessed with one of the purist voices in pop music and partnered with the amazingly talented Paul Simon, Art Garfunkel was a part of several now classic performances.  One listen to “Bridge Over Troubled Water” will tell you all that you need to know.

7.    Brad Delp (Boston):  Though (guitarist/keyboardist/producer) Tom Scholz’s often talked about studio wizardry was the basis for Boston’s unique brand on rock and roll, it was Brad Delp’s soaring vocal style that ultimately defined their sound.  After more than 30 years, there is still nothing that’s come close to duplicating this combination.

8.    Robin Gibb (The Bee Gees):  Though all of the Gibb brothers possessed unique vocal talent, Robin’s quivering falsetto could at times be described as otherworldly.  Early recordings like “I Started a Joke” or “Massachusetts” and later disco hits like “Staying Alive”, are prime examples of his one of a kind vocal delivery.

9.    Annie Lennox (The Eurhythmics, solo):  Though much of pop music from the 1980’s was set against a backdrop of synthesizers and outlandish fashion, it was the timeless quality of Annie Lennox’s vocals that elevated her work above the din.  Incredibly versatile, her voice was at times deep and sultry (“Who’s That Girl”), at other times haunting (“Here Comes the Rain Again”); sometimes playful (“Would I Lie to You”), sometimes soulful (“Sisters Are Doing It For Themselves”) and even at times, emotionally raw (“Why”).

10.  Michael McDonald (The Doobie Brothers, solo):  After breaking into the music business as a backup singer with the band Steely Dan, McDonald had the good fortune of being asked to join the already popular Doobie Brothers.  His arrival ushered in their most commercially successful years and set the stage for what has been a long and fruitful career as a solo artist.  His distinctive brand of blue eyed soul has continued to resonate with audiences into the new millennium.

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1.    ABBA Songs:  Quite possibly the guiltiest pleasure of all, much of ABBA’s music was kitschy and light weight; yet irresistible nonetheless.  Though never to be mistaken for high art, these songs still sparkle and dare you not to sing along.  Favorite – S.O.S.

2.    Three Dog Night Hits:  This bands eclectic catalog and shifting vocalists made them hard to pin down; but their knack for producing catchy songs, that get stuck in your head, is undeniable (e.g. Joy to the World, One, Celebrate, Liar, Shambala, Mama Told Me Not to Come, Never Been to Spain, Black & White).  Favorite – Liar

3.    Electric Light Orchestra Records:  Despite their progressive rock trappings, ELO was first and foremost a pop band.  Jeff Lynne’s penchant for Beatlesque hooks, combined with a group full of genuinely talented musicians, produced a bowl full of ear candy that’s still fun to dip into.  Favorite – Evil Woman

4.    Bread Ballads:  Though the lovelorn themes of their ballads could be a little overwrought at times, David Gates expressive rendering of these songs makes them hard to resist.  Favorites – Everything I Own & Guitar Man

5.    Michael Jackson Hits:  Though dubbed “The King of Pop” and posthumously hailed as some kind of pop culture martyr; few of Michael’s songs could actually stand on their own merit lyrically or musically.  Ultimately it was his genius as a performer that breathed life into them and rendered them unforgettable.  Favorite – Off the Wall

6.    Pre-Disco Era Bee Gees Hits:  Arguably, songs like “How Can You Mend a Broken Heart”, “Lonely Days” and “Run to Me” were the ultimate showcase for the collective vocal talent of the brothers Gibb.  They possess a timeless quality that their later disco era hits often lacked.  Favorite – To Love Somebody

7.    Karen Carpenter’s Voice:  There is no doubt that Richard Carpenter’s musical acumen was a huge part of the group’s success in the 1970’s, but it is those same production elements that make their catalog sound so out of date today.  Even so, the transcendent quality of Karen Carpenter’s voice remains a timeless pop music treasure.  Favorite – Superstar

8.    Journey Records:  Although their lyrics were largely standard pop song fare, Journey consistently created well produced and highly listenable records.  Whatever they may have lacked in the lyrical department, they more than made up for with outstanding musicianship and the impassioned lead vocals of singer Steve Perry.  Favorites – Lights & Send Her My Love

9.    Eighties Synth Pop Hits:  In the early eighties, bands like “The Cars” and “Blondie” ushered in a new wave of young artists, many of whom were armed with state of the art synthesizers and other techno gear.  This produced a dazzling array of new sounds, as bands seemed to appear and evaporate on a daily basis.  Though the wave seemed to ebb rather quickly, it left behind a rich cache of pop gems that are still worth listening to.  Favorite Bands – Tears for Fears, The Pretenders, Til Tuesday, The Eurhythmics, The Cure, INXS, Depeche Mode

10.  Garth Brooks Songs:  Though disdained by many country music purists, Garth Brooks clearly has a way with a song and knows how to connect with an audience.  In the end, we all would probably admit to having “Friends in Low Places” or maybe even to being one.  Favorite – The Dance

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