- Eric Burdon & War: Eric Burdon rose to fame in the early to mid-1960s as the lead singer of the British Invasion band, The Animals (House of the Rising Sun, It’s My Life…). And though their sound was solidly rooted in rhythm and blues, few could have forecast his re-emergence in 1970, fronting the California Funk band, War. Their classic, “Spill the Wine” was an unprecedented stew of funk, psychedelia, and beat poetry. Over fifty years later, it still defies categorization.
- Bing Crosby & David Bowie: The contrast between 1940s Crooner, Bing Crosby, and 70s Glam Rocker, David Bowie couldn’t have been more dramatic, and it remains unclear who thought their collaboration might be a good idea. Even less likely, was the selection of a children’s Christmas song as the vehicle for their duet. None the less, their medley of Little Drummer Boy/Peace on Earth created a memorable moment, when two iconic artists from differing generations came together in a completely unexpected way. Crosby would pass away in the weeks that followed their session.
- Carly Simon & Mick Jagger: Though Jagger’s backup vocals on the Simon classic, “You’re So Vain” aren’t substantial, they are memorable. And given his iconic counterculture status during the 1971 recording, his participation as a backup singer for the Pop Chanteuse seemed highly unlikely.
- Michael Jackson & Eddie Van Halen: Despite the huge success of the Jackson 5, Michael’s four solo projects for the Motown label were far less celebrated. That all changed in 1979, as Jackson switched to the Epic label, and worked with Producer, Quincy Jones, on his breakthrough album, “Off the Wall”. It was Jones who suggested the inclusion of a “rocker” for the follow-up album, and when they approached Eddie Van Halen, he happily jumped in. The resulting, “Beat It” sold over 8 million singles, while the “Thriller” album went on to sell over 50 million units, making this one of the most successful songs of all-time.
- Aerosmith & Run DMC: It’s hard to remember that there was once a time when the Rock and Hip-Hop worlds didn’t substantially intersect, but this was the song that most prominently broke down that barrier. At the time of it’s release, such a collaboration was unthinkable, but within a few short years, the air waves were filled with rap/rock tunes.
- Johnny Cash & Rick Rubin: Rick Rubin made his name in the 1980s, as the cofounder of Def Jam Records, and as a Producer of Hip-Hop artists like LL Cool J, the Beastie Boys and Run DMC. Later in the decade he went on to produce numerous Hard Rock / Heavy Metal bands as well. But it was his collaboration with the legendary Country artist, Johnny Cash that ultimately caught everyone off guard. While it may have seemed like a mismatch on paper, the records they created indicate otherwise.
- Stevie Nicks & Prince: On the heels of the wildly successful Fleetwood Mac album, “Rumours”, Stevie Nicks launched her solo career in 1981 with the multi-platinum album, “Bella Donna”. And as she prepared for her follow-up record (1983s “Wild at Heart”), she found inspiration in the form of the Prince classic, “Little Red Corvette”. Borrowing from both the melody and sound, she created the foundation of her hit single, “Stand Back”. Though it was a marked change from her grittier rock/folk sound, it proved to be equally successful. In acknowledgement of her source material, she split the songwriter credits with Prince, and even managed to get him to play some keyboards on the track.
- Nat King Cole & Natalie Cole: On the surface, there is nothing unusual about a father-daughter duet, especially when both are successful artists, but what makes this collaboration so unique is that it took place 25 years after the father’s death. Natalie Cole was only 15 years old when her father, Nat King Cole passed away from lung cancer (1965), but thanks to the marvels of modern technology, their duet on “Unforgettable” resulted in the 1991 Grammys for Song, Record and Album of the Year.
- Kanye West, Rihanna & Paul McCartney: This unlikely partnership (i.e. FourFive Seconds) began as a songwriting collaboration between West and McCartney, and further evolved with West’s involvement in the production of Rihanna’s album. Though a bit of a departure for all three artists, it proved to be highly successful. Ironically, many younger fans had no idea who Paul McCartney was.
- Lil NAS X & Billy Ray Cyrus: The melding of Country music with Rap music hasn’t necessarily been a winning combination, so there wasn’t much reason to believe that a little-known rapper, and a largely forgotten country singer would do much to change that. But “Old Town Road” went on to become one of the most successful singles of all time.
Posts Tagged ‘Prince’
10 Surprising Collaborations
Posted in Entertainment/Music/Sports, tagged Aerosmith, Billy Ray Cyrus, Bing Crosby, Carly Simon, collaborations, David Bowie, Eddie Van Halen, Eric Burdon, Johnny Cash, Kanye West, Lil NAS X, Michael Jackson, Mick Jagger, Nat King Cole, Natalie Cole, Paul McCartney, Prince, Rick Rubin, Rihanna, Run DMC, Stevie Nicks, War on April 13, 2023| Leave a Comment »
Hollow Mansion – Revisited
Posted in Commentaries, Free Verse / Poetry, Opinions, Social / Political, Word Pictures, tagged facade, fame and fortune, hollow, iconic stars, Michael Jackson, painkillers, Prince, star studded funeral, Whitney Houston on April 26, 2016| Leave a Comment »
Our culture has an endless fascination with the rich and famous, which becomes especially acute when an iconic star passes away (e.g. Michael Jackson, Whitney Houston…). Last week’s untimely death of pop music star, “Prince” is a case in point. For days, or sometimes weeks, the media is saturated with images of the star, clips of weeping fans, tributes from other celebrities, intrigue about the facts surrounding their death, a sudden burst of interest in their catalog from decades ago, often times revisionist retrospectives of their body of work, a slow parade of alleged insiders who claim to have some new tidbit of information, and sometimes even a star-studded funeral to send them off. We tend to view their life through the lens of their glorious accomplishments and their vast renown; but I would suggest that more often than not they pass from this life broken and alone. The myth of fame and fortune is stripped bare by death. I doubt seriously that anyone has ever asked that their gold records, or Grammy award, or Oscar, or Olympic Medal be brought to their bedside as they face their final minutes. Ultimately, the quality of a life isn’t defined by its shiniest moments, but by those day to day instances when no one is looking. In the end, it will be about who we have loved, and who has loved us. The piece that follows is something I wrote years ago to portray the emptiness of such an existence. For me, fame and fortune is like this hollow mansion.
*
Hollow Mansion
*
My eyes flick open to the dim light of the pre-dawn morning
and my head throbs with the dull ache of the night before
There is a beautiful woman lying beside me
but I find myself straining to remember her name
When she wakes, I’ll have to pretend that last night meant something to me
but for now, I couldn’t be more alone
*
As I stare at the ornate ceiling of this massive room
I can see all the cracks along its edges
They not only speak of the sandy soil on which this estate was built
they testify to the weak foundation of this new life that I have established
While everyone else’s eyes are naturally drawn to the beautiful gold trim
all I can see is the fractured façade
While they all seem to notice the extravagant furnishings in each room
I find myself focusing on the vast empty space created by every high ceiling
*
These thoughts take me back to the water stained ceiling of my childhood bedroom
and I find myself wondering whatever became of that little boy
I also remember lying awake in a little trailer, many years ago
wondering how I was going to support my young bride & our new baby
Back then, paying the bills was my greatest struggle
but now that those debts are more than covered, I’m struggling with the price that was paid
*
I’d trade everything I’ve gained to erase the hurt and confusion in my children’s faces
as I pulled our family apart on the way to making my own dreams come true
I’d give it all back for the woman who loved me
when I had nothing to offer other than a desire to share her life
I’d gladly forfeit the drafty halls of this hollow mansion
for the warmth of the place that I used to call home
I’ve finally figured out that it’s better to have one person who loves you for who you really are
than to have ten thousand who love the person they imagine you to be
*
Unfortunately, by the time I came to understand this, it was too late
As the raging waters of my desire had already swept away any moorings for a bridge back
So as the first rays of the sun begin to creep across the windows
I swallow a couple of painkillers to prepare for the day that lies ahead
And as the beautiful stranger lying next to me stirs from her sleep
I push my face into a smile and utter, “Good morning darling”
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