- Babe – Styx: The release of the 1979 album “Cornerstone” came on the heels of the multiplatinum success of 1977’s, “The Grand Illusion” and 1978’s, “Pieces of Eight”. By that time, Styx had firmly established themselves as AOR and Arena Rock favorites. But things took a dramatic turn when its first single rocketed up the charts. Longtime fans were stunned by this frothy pop confection, and disappointed in the light weight sound of the album as a whole. Though it ushered in an era of Top 40 chart success for the group, their reputation as a rock band was forever diminished.
- Ebony and Ivory – Paul McCartney & Stevie Wonder: Given their stellar musical achievements, it was hard not to be excited by the idea of these two powerhouse performers coming together. Yet, despite the best of intentions, and the undeniably positive lyrical message, it was hard not to be disappointed with the results. Undoubtedly a career lowlight for both of them.
- Abracadabra – Steve Miller Band: Steve Miller entered the 1980’s on a roll. After earning a solid reputation as a blues guitarist in the late1960’s, he found chart success throughout the 1970’s (e.g. The Joker, Fly Like an Eagle, Book of Dreams) with his own brand of good time rock and roll. But his first release of the new decade, 1982’s “Abracadabra” had a markedly different sound; and while the MTV generation seemed drawn to the new look, it was a turn that many from his old fan-base couldn’t make.
- Muskrat Love – America: Expectations for America’s third album (1973”s “Hat Trick”) were high, as the band looked to build on a resume that already included two hit albums, three top ten singles, and a Grammy award. But when this quaint ode to rodent romance failed to resonate with fans, the album quickly faded as well. Though the band rebounded the following year with another hit album (“Holiday”) and two more top ten singles (“Tin Man” & “Lonely People”), this song stands out as one of the few missteps in the groups early career. Ironically, just a few years later, the Captain and Tennille took their version of this tune all the way to the Top Ten.
- We Built City – Starship: With the departure of two key members of the original group (guitarist Jorma Kaukonen and bass player Jack Casady), band co-founder, Paul Kantner reimagined Jefferson Airplane, birthing Jefferson Starship in its place. Along with the changes in personnel came a reworked California rock sound, which largely abandoned the group’s Psychedelic roots. After years of success, the band weathered another significant change with the departure of lead singer, Marty Balin and the addition of singer, Mickey Thomas. Once again, the sound changed, this time to a more modern, straight forward rock style (e.g. “Jane”, “Find Your Way Back”…). By the early 1980’s Kantner had grown weary from battles over the band’s artistic direction, and quit the group. Legal proceedings necessitated that the band’s name once again be changed, eschewing any reference to “Jefferson”. “Starship” essentially looked like the same band, but the new music was pure pop. Though this record was a huge hit, it signaled the end of whatever credibility the group had in the rock community.
- Keep On Loving You – REO Speedwagon: Throughout the 1970’s REO toured the country, building a passionate fan base with their energetic live shows. The enthusiastic audience response to the band’s music can clearly be heard on 1977’s live album, “You Get What You Play For”. As the decade ended, AOR staples like “157 Riverside Avenue”, “Riding the Storm Out”, “Roll With the Changes” and “Time For Me to Fly” had earned them a reputation as a hard rocking outfit from the Midwest. But the phenomenal success of 1980’s “Hi-Infidelity” changed all of that. Though it contained a few rock songs, they were overshadowed by the remarkable popularity of the pop ballads, most especially this #1 smash hit. And while their live shows retained some of their foundational qualities, the band’s legacy has become tied to Prom/Wedding themes like “Keep On Loving You” and “Can’t Fight This Feeling”.
- Just Between You and Me – April Wine: Like previously mentioned bands Styx, and REO Speedwagon, April Wine spent years cultivating a following, first in Canada and then in the US. Relentless touring eventually earned them opening slots with acts like the Rolling Stones, Styx and RUSH. And when rock radio took notice of the 1978 track, “Roller”, they finally broke through in the US market. 1979’s album, “Harder…Faster”, breakout track, “I Like to Rock” and a high profile tour with Nazareth, all pushed them further into the rock stratosphere. Their 1981 follow-up, “The Nature of the Beast” was also a platinum seller, but the immense popularity of the single, “Just Between You and Me” seemed to put the band in a different light, and the building momentum seemed to quickly dissolve. Though they continued to record and tour, their name soon faded from rock radio’s vocabulary.
- The Girl Is Mine – Paul McCartney & Michael Jackson: This playful ditty (and its accompanying video) certainly didn’t harm anyone, but it was well below the standards set by both of these mega talents.
- Touch of Grey – The Grateful Dead: Though their place in rock history is secure, the top ten single, “Touch of Grey” is a chapter that many “Dead-Heads” would like to forget. For those not familiar with the band or its music, it had to make them wonder what all the fuss was about.
Hollow Mansion – Revisited
Posted in Commentaries, Free Verse / Poetry, Opinions, Social / Political, Word Pictures, tagged facade, fame and fortune, hollow, iconic stars, Michael Jackson, painkillers, Prince, star studded funeral, Whitney Houston on April 26, 2016| Leave a Comment »
Our culture has an endless fascination with the rich and famous, which becomes especially acute when an iconic star passes away (e.g. Michael Jackson, Whitney Houston…). Last week’s untimely death of pop music star, “Prince” is a case in point. For days, or sometimes weeks, the media is saturated with images of the star, clips of weeping fans, tributes from other celebrities, intrigue about the facts surrounding their death, a sudden burst of interest in their catalog from decades ago, often times revisionist retrospectives of their body of work, a slow parade of alleged insiders who claim to have some new tidbit of information, and sometimes even a star-studded funeral to send them off. We tend to view their life through the lens of their glorious accomplishments and their vast renown; but I would suggest that more often than not they pass from this life broken and alone. The myth of fame and fortune is stripped bare by death. I doubt seriously that anyone has ever asked that their gold records, or Grammy award, or Oscar, or Olympic Medal be brought to their bedside as they face their final minutes. Ultimately, the quality of a life isn’t defined by its shiniest moments, but by those day to day instances when no one is looking. In the end, it will be about who we have loved, and who has loved us. The piece that follows is something I wrote years ago to portray the emptiness of such an existence. For me, fame and fortune is like this hollow mansion.
*
Hollow Mansion
*
My eyes flick open to the dim light of the pre-dawn morning
and my head throbs with the dull ache of the night before
There is a beautiful woman lying beside me
but I find myself straining to remember her name
When she wakes, I’ll have to pretend that last night meant something to me
but for now, I couldn’t be more alone
*
As I stare at the ornate ceiling of this massive room
I can see all the cracks along its edges
They not only speak of the sandy soil on which this estate was built
they testify to the weak foundation of this new life that I have established
While everyone else’s eyes are naturally drawn to the beautiful gold trim
all I can see is the fractured façade
While they all seem to notice the extravagant furnishings in each room
I find myself focusing on the vast empty space created by every high ceiling
*
These thoughts take me back to the water stained ceiling of my childhood bedroom
and I find myself wondering whatever became of that little boy
I also remember lying awake in a little trailer, many years ago
wondering how I was going to support my young bride & our new baby
Back then, paying the bills was my greatest struggle
but now that those debts are more than covered, I’m struggling with the price that was paid
*
I’d trade everything I’ve gained to erase the hurt and confusion in my children’s faces
as I pulled our family apart on the way to making my own dreams come true
I’d give it all back for the woman who loved me
when I had nothing to offer other than a desire to share her life
I’d gladly forfeit the drafty halls of this hollow mansion
for the warmth of the place that I used to call home
I’ve finally figured out that it’s better to have one person who loves you for who you really are
than to have ten thousand who love the person they imagine you to be
*
Unfortunately, by the time I came to understand this, it was too late
As the raging waters of my desire had already swept away any moorings for a bridge back
So as the first rays of the sun begin to creep across the windows
I swallow a couple of painkillers to prepare for the day that lies ahead
And as the beautiful stranger lying next to me stirs from her sleep
I push my face into a smile and utter, “Good morning darling”
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